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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: In The Field: The Art of Field Recording (Publication)

In The Field is a publication written by Cathy Lane and Angus Carlyle in 2013. This is a collection of interviews with contemporary sound artists who use field recording in their work. These conversations explore the fundamental issues that underlie the development of field recording as the core of their practice. Recurring themes include early motivations, aesthetic preferences, the audible presence of the recordist and the nature of the field.
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Member Profile: Thomas Gardner

Thomas Gardner (MA Sound Arts course leader) is a composer, improviser, teacher, computer programmer and academic. His work is particularly concerned with the relations between sound art and music, focusing on group interaction and the kinds of changes introduced by electronic media. His work with the performance group Automatic Writing Circle (AWC), which he co-founded in 2007, has been a key way to explore these issues in practice and consists of the composition of new work, improvisation, the design of instruments and software, and the exploration of new performance contexts. Recent pieces have been premiered at the Sonic Fusion festival and at Parasol Unit, Foundation for contemporary art. Other areas of research include historically informed practice (Baroque and 19th century performance styles), computer programming and new instrument design.
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News: Call for Contributions: In The Field 2

Dates: 5 and 6 July 2024 Venue: In person at London College of Communication, Elephant and Castle, London, SE1 6SB and online Deadline for proposals:  6 February 2024 Notification of acceptance:  15 March 2024 In 2024 we will revisit In The Field, over a decade since the first significant gathering of artists and researchers in 2013, to ask how has and how might the practice of field recording responded in these times?
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