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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.

 

Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.

Research Feature: City Sonic Places: experiencing the urban soundscape

To celebrate the publication of Peter Cusack’s Berlin Sonic Places: A Brief Guide, CRiSAP invites you to a symposium and programme of artworks that explore artistic and planning interventions into city soundscapes.
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Member Profile: John Wynne

Dr John Wynne’s diverse, research-led practice includes large-scale sound installations in galleries and public spaces, delicate sculptural works, photographs that reproduce sound, flying radios and award-winning ‘composed documentaries’ that hover on the borders between documentation and abstraction. His Installation for 300 speakers, Pianola and vacuum cleaner, developed during an AHRC-funded research residency, became the first piece of sound art in the Saatchi collection and won him the 2010 British Composer Award for Sonic Art. His work with endangered languages includes a project with click languages in the Kalahari Desert and another with one of Canada’s indigenous languages, Gitxsanimaax.
Further infomation on John Wynne

News: Call for Contributions: In The Field 2

Dates: 5 and 6 July 2024 Venue: In person at London College of Communication, Elephant and Castle, London, SE1 6SB and online Deadline for proposals:  6 February 2024 Notification of acceptance:  15 March 2024 In 2024 we will revisit In The Field, over a decade since the first significant gathering of artists and researchers in 2013, to ask how has and how might the practice of field recording responded in these times?
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