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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.
Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.
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Research Feature: Disrupting the Dominant Song
Salomé Voegelin gave the conference keynote at the International Colloquium of Notation in Mexico City, co-organized by academics from the UNAM and the Free University of Berlin. This curatorial performance, Disrupting the Dominant Song, has since been published as a performance essay in Open Scriptures publication by Susana González Aktories and Susanne Klengel.
Further infomation on Disrupting the Dominant Song
Member Profile: Rob Mullender
Dr. Rob Mullender teaches sound, construction for film & television and critical/contextual studies on the Live Events and Television and Sound Arts and Design BAs at London College of Communication. He received his PhD in 2011, which looked at how light could be used to synthesise sound. Rob occasionally records, designs and mixes sound for film, and produces sculpture, sound, 2D, performance and moving image works when he can. Most recently he has performed Minor Conspiracy for adapted reed organ and eight breathing participants, and Happy Ending - a site specific intervention for improvising musicians and massage parlour.
Further infomation on Rob Mullender