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Creative Research into Sound Arts Practice (CRiSAP) is a research centre of the University of the Arts London dedicated to the exploration of the rich complexities of sound as an artistic practice.
Our main aim is to extend the development of the emerging disciplinary field of sound arts and to encourage the broadening and deepening of the discursive context in which sound arts is practised.
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Research Feature: In the Field (Symposium)
An international symposium for field recording that explored the practice, art and craft of field recording through a series of panel presentations, listenings and screenings at the British Library in 2013. The symposium aimed to relate the multitude of contemporary field recording practices to their historical precedents, while investigating issues in contemporary practices such as how field recordings are distributed to and heard by an audience, recording the unheard, mapping the urban field as well as questioning the extended nature of the field in a digital networked landscape.
Further infomation on In the Field (Symposium)
Member Profile: Dan Scott
Dan Scott’s works across installation, performance, and participatory practice. His projects include Liberation Through Hearing, outside the Royal Academy in London, Yesterday at Harewood House in Yorkshire, Advantageous Recordings at the De La Warr Pavilion, the monthly event Athelstan Sound in Margate, the Sonic Trails series at Tate Modern, and boat-house-theatre (with Tom Adams) at Arc Theatre in Stockton. Dan also works as a sound designer and musician and has collaborated with a number of artists (including Caroline Bergvald and Barbara Walker) on their projects. Dan is a visiting lecturer at The Royal Central School of Speech and Drama where he tutors in sound and scenography.
Further infomation on Dan Scott
