CRiSAP PhD researcher Kate Carr has been shortlisted for the Arts Foundation Futures Awards!The annual Arts Foundation Futures Awards provides five £10,000 Fellowships, with all Shortlisted Artists receiving £1,000 towards Continue…
Sound artist and CRiSAP PhD researcher Hannah Kemp-Welch has collaborated with Southampton-based dance and movement artist Gabriel Galvez and the John Hansard Gallery, to lead a series of workshops with elderly people in and around Southampton exploring the relationship between sound, memory and gesture. The project is called Listening Memories.
Rubbish Music (Kate Carr & Iain Chambers)’s CD/DL, Upcycling, reviewed in the Wire “Collectively and individually our relationship to what we throw away is undergoing radical and necessary change. The Continue…
Marcel Cobussen reviewed Mark Peter Wright’s Listening After Nature: Field Recording, Ecology, Critical Practice in the Journal of Sonic Studies
The LCC Course Leader position for the new MA Music Production course has been re-advertised. The new deadline for application is December 16th, with interviews to follow on January 17th. Salary £48,534 – £58,474 per annum.
The project Kleefeld – Klangfeld will make the environment of a newly rebuilt local school in a culturally diverse area of the town into an ‘instrument’ to be listened to and sounded as a Klangfeld, as a sonic field, that makes audible the temporary and passing nature and use of the site: how it is inhabited by the local community in its diversity.
London College of Communication are recruiting for a new Course Leader to run the new MA Music Production course. Closing date Oct 27th 2022.
Mark Peter Wright’s new book Listening After Nature is reviewed by Ilia Rogatchevski for The Quietus
Earlier this year, visiting artists Katrinem and Peter Cusack led a series of sound walks in and around Elephant & Castle as part of our Un-Earthed Festival of listening and environment. The walks explored an individual’s personal experience of space through walking and a series of ‘sonic places’ either side of the River Thames. Katrinem and Peter have each created maps of their sound walks, enabling anyone to take the sound walk at any time, or to listen back to recordings of Peter’s ‘sonic places’.
Following Wild Energies Live Materials in April 2022, a three-day online event presenting new and existing research and artistic responses to the rich variety of the work of composer and sound artist Annea Lockwood, contributor Alexis Bhagat has now completed a LibGuide on Annea Lockwood in collaboration with out Library team here at LCC.