Projects
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CRiSAP Panel at Women in Revolt: radical acts, contemporary resonances Conference
Cathy Lane, Collaborators, Louise Marshall, Irene Revell, Lisa Hall, Tomoko Hojo, Annie Goh
2024Archives, Feminisms, Her Noise, Performance, Collaboration, Socio-Political
In the Field 2
Cathy Lane, Angus Carlyle, Kate Carr, Mark Peter Wright, Lisa Hall, Hannah Kemp-Welch
2024Field Recording, Conference
Resonant Dialogues: Navigating Sound, Art and Conflict | Online symposium
Cathy Lane, Angus Carlyle, Thomas Gardner, Ximena Alarcón, Syma Tariq
2024Place, Memory, Socio-Political, Auditory Politics, Symposium
Sounding Knowledge
Salomé Voegelin, Collaborators, Kevin Logan
2023, 2022Socio-Political, Auditory Politics
Interference Acts: Performances along the Threshold of the Human and Non-human
Mark Peter Wright
2022Book
Becoming Listening Bodies: Sensing the Affective Atmospheres of the City with Young Children
Collaborators, Mark Peter Wright
2022Book
Sonic Possible and Impossible Bodies: uncurating knowledge
Salomé Voegelin
2022Curation, Socio-Political, Auditory Politics, Conference Paper
Listening After Nature: Field Recording, Ecology, Critical Practice
Mark Peter Wright
2022Field Recording, Listening, Auditory Politics, Acoustic Ecology, Book
Points of Listening: Reflections on the Participatory and Polyphonic Potential of Communal Sonic Practices
Salomé Voegelin, Mark Peter Wright
2022Participatory, Auditory Politics
Sound’s Transversal Breath
Salomé Voegelin, Mark Peter Wright
2022Participatory, Collaboration, Socio-Political, Auditory Politics, Symposium
Wild Energies: Live Materials
Cathy Lane, Collaborators, Louise Marshall, Irene Revell, Kate Carr
2022Field Recording, Place, Listening, Participatory, Scores, Collaboration, Rural, Acoustic Ecology, Conference
Un-Earthed: A festival of listening and environment
Cathy Lane, Thomas Gardner, Lisa Hall
2022, 2021, 2020Field Recording, Place, Memory, Speech, Participatory, Scores, Oral History, Interviews, Collaboration, Globalisation, Voice, Architecture, Urban, Auditory Politics
Sonic Possible Worlds - Revised Edition
Salomé Voegelin
2021Listening, Philosophy, Music, Socio-Political, Acoustic Ecology, Materialism
Sound, Art and Urban Spaces
Cathy Lane, Lisa Hall
2021Place, Space, Listening, Participatory, Scores, Curation, Urban
Square Peg Round Hole
Cathy Lane
2021Archives, Place, Composition, Language, Speech, Installation, Voice
Acts of Air: Reshaping the urban sonic
Cathy Lane, Lisa Hall
Ongoing, 2020Participatory, Scores, Performance, Collaboration, Curation, Urban, Auditory Politics
Audio Testimonies
Cathy Lane, Thomas Gardner, Collaborators
2020Archives, Auditory Politics, Symposium, Cross Disciplinary
Sound Arts Lecture Series
Cathy Lane, Thomas Gardner, Collaborators, Mark Peter Wright, Milo Taylor
Ongoing, 2023, 2022, 2021, 2020, 2019, 2018, 2017, 2016, 2015Feminisms, Field Recording, Memory, Composition, Language, Space, Listening, Software Tools, Performance, Collaboration, Curation, Music, Voice, Image, Architecture, Urban, Socio-Political, Auditory Politics, Radio
Matterlurgy Collaboration
Mark Peter Wright
OngoingParticipatory, Auditory Politics, Extended Documentary, Acoustic Ecology, Materialism, Communal, Cross Disciplinary
Listening Across Disciplines – LxD II
Salomé Voegelin, Collaborators, Mark Peter Wright
Ongoing, 2020, 2019Field Recording, Place, Composition, Language, Speech, Space, Listening, Participatory, Interviews, Text, Writing, Collaboration, Philosophy, Network, Curation, Materialism
High and Low Frequencies
John Wynne
Ongoing, 2020, 2012, 2011Place, Composition, Space, Installation, Image, Architecture, Acoustic
Go live in the middle of nowhere obviously
Mark Peter Wright
2019Auditory Politics, Extended Documentary, Acoustic Ecology, Materialism
Gender, Intimacy and Voices in Sound Art. Encouragements, Self-Portraits, and Shadow Walks
Cathy Lane, Collaborators
2020Feminisms, Voice
Listening to Museums: Sounds as objects of culture and curatorial care
John Kannenberg
2020Archives, Listening, Curation, PhD
A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice
Timothy Smith
2019Feminisms, Image, PhD
Re-Soundings: Prelude - The Ayahs Home
Cathy Lane
2018Archives, Feminisms, Memory, Silence, Film, Installation
Listening to Learning
Mark Peter Wright
2018, 2017Auditory Politics, Extended Documentary, Acoustic Ecology, Materialism
Decoys
Angus Carlyle, Mark Peter Wright
2018, 2017Field Recording, Auditory Politics, Extended Documentary, Acoustic Ecology, Materialism
SOUND::GENDER::FEMINISM::ACTIVISM Tokyo 2019
Cathy Lane, Holly Ingleton, Collaborators, Louise Marshall, Irene Revell, Tomoko Hojo, Syma Tariq
2019Archives, Feminisms, Her Noise, Socio-Political, Auditory Politics, Conference, SGFA
I am genderless like cacti and certain species of fish...
Cathy Lane, Collaborators
2018Language, Speech, Software Tools, Voice
City Sonic Places: experiencing the urban soundscape
Peter Cusack, Collaborators, Lisa Hall
2018Field Recording, Place, Berlin, Architecture, Acoustic, Urban, Symposium
Large Objects Moving Air (LOMA)
Cathy Lane, Angus Carlyle, Collaborators, Matt Parker, Jennifer Lucy Allan, Rob Mullender
2018Conference
Deep Listening: The Strategic Practice of Female Experimental Composers post 1945
Louise Marshall
2018Archives, Feminisms, Composition, Her Noise, PhD
Ecology and Environmentalism in Contemporary Sound Art
Jono Gilmurray
2018Auditory Politics, Acoustic Ecology, PhD
Points of Listening
Salomé Voegelin, Collaborators, Mark Peter Wright
Ongoing, 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014Listening, Participatory, Collaboration, Acoustic Ecology
The Voice Figures of Margaret Watts-Hughes
Rob Mullender
2018, 2017Archives, Writing, Curation, Music, Voice, Image, Acoustic, Materialism
How to DO(O) Things with Sounds: A Performative (Re)User Manual
Kevin Logan
2018Performance, Writing, Philosophy, PhD
Hospital project on noise, sound and sleep (HPNoSS)
Angus Carlyle, John Wynne, Collaborators
2017Place, Listening, Noise, Collaboration
Berlin Sonic Places: A Brief Guide
Peter Cusack, Collaborators
2017Field Recording, Place, Berlin, Urban, Book
Listening Education: hearing the fake
Salomé Voegelin, Collaborators
2017Listening, Philosophy, Socio-Political, Auditory Politics
Listening Across Disciplines – LxD I (2016 – 2017)
Salomé Voegelin, Collaborators, Mark Peter Wright
2017, 2016Field Recording, Language, Speech, Listening, Text, Curation, Materialism
INTIMAL - Interfaces for Relational Listening: body, telematics, memory, migration.
Ximena Alarcón, Collaborators
Ongoing, 2017Archives, Feminisms, Place, Memory, Composition, Language, Speech, Improvisation, Space, MAX MSP, Listening, Participatory, Scores, Silence, Software Tools, Oral History, Interviews, Performance, Text, Writing, Collaboration, Network, Installation, Voice, Colombia, Published Paper, Conference Paper, Conference
Is There a Sonic Iconography of Remoteness? Northern Islands in Contemporary Sound Arts Practice.
Cathy Lane
2017Place, Hebrides, Rural, Radio, Conference
Soundings and Re-Soundings: a theme and variations
Cathy Lane
2017Archives, Feminisms, Memory, Language, Speech, Hebrides
Connecting Columns
Cathy Lane, Angus Carlyle, Salomé Voegelin, Peter Cusack, Ximena Alarcón, Collaborators, Lisa Hall
2017Place, Memory, India
The Listening Artist: On Listening as an Artistic Practice beyond Sound Art
Dan Scott
2017Listening, PhD
Low-Tech High-Tech
Thomas Gardner, Collaborators
Ongoing, 2017, 2016, 2015, 2014, 2013Archives, Participatory, Collaboration, Music
Favourite Sounds
Peter Cusack
OngoingField Recording, Place, Memory, Listening, Participatory, Mapping Cartography, Urban
Sound Art as Public Art: performing the civic between listening and being audible
Salomé Voegelin
2016Place, Listening, Philosophy, Urban, Auditory Politics, Conference Paper
Telematic Sonic Performances
Ximena Alarcón
Ongoing, 2017, 2016, 2015, 2014, 2013, 2012, 2011Feminisms, Place, Memory, Composition, Improvisation, Listening, Participatory, Performance, Collaboration, Voice, Urban, Mexico, France, Colombia
Ouija Board
Thomas Gardner, Collaborators
Ongoing, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006Composition, Improvisation, Listening, Participatory, Scores, Software Tools, Performance, Collaboration, Installation, Music, Image
Sound::Gender::Feminism::Activism Zine
Cathy Lane, Angus Carlyle, Holly Ingleton, Collaborators
2016Archives, Feminisms, Her Noise, Socio-Political, Auditory Politics, Book, SGFA
Automatic Writing Circle
Thomas Gardner, Collaborators
Ongoing, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006Composition, Improvisation, Collaboration, Music
Her Noise Archive
Cathy Lane, Salomé Voegelin, Thomas Gardner, Holly Ingleton, Collaborators
2016, 2015, 2014, 2013, 2012Archives, Feminisms, Her Noise, Scores, Oral History, Collaboration, Network, Mapping Cartography, Music, Voice, Socio-Political
SOUND::GENDER::FEMINISM::ACTIVISM 2016
Cathy Lane, Angus Carlyle, Holly Ingleton, Collaborators
2016Archives, Feminisms, Her Noise, Socio-Political, Auditory Politics, Conference, SGFA
Networked Migrations
Ximena Alarcón
Ongoing, 2016, 2015, 2014, 2013, 2012Field Recording, Place, Composition, Improvisation, Space, Listening, Participatory, Performance, Collaboration, Music, Voice, Mexico, Colombia
Colloquium: Sound Art - Music
Salomé Voegelin, Thomas Gardner, Collaborators
2016Composition, Listening, Performance, Writing, Installation, Book
SoundWords
Salomé Voegelin
OngoingField Recording, Language, Listening, Participatory, Text, Writing
Sound::Gender::Feminism::Activism: Research and Challenges to the Orthodoxies of Sound Arts
Cathy Lane
2016Archives, Feminisms, Her Noise, Participatory, Interviews
Why not our voices?
Cathy Lane, Collaborators
2016Listening, Socio-Political, Auditory Politics, Conference Paper
Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970
David Toop
2016Improvisation, Philosophy, Music, Voice
Silent Light, Luminous Noise: Photophonics, Machines and the Senses
Rob Mullender
2012, 2011, 2010, 2009, 2008, 2007, 2006Writing, Film, Music, PhD
Writing about the Sound of Unicorns
Salomé Voegelin
2016Memory, Language, Listening, Philosophy, Auditory Politics, Conference Paper
Sweet Airs
Cathy Lane
2016Field Recording, Place, Memory, Space, Listening, Hebrides, Mapping Cartography, Rural
Listening as method for collaborative and inclusive Creative Curricula
Salomé Voegelin, Thomas Gardner, Ximena Alarcón
2016Place, Memory, Listening, Participatory, Collaboration
Sound Matters: a creative framework
Cathy Lane, Ximena Alarcón
Ongoing, 2016, 2015Archives, Field Recording, Speech, Listening, Participatory, Software Tools, Editing
I, the Thing in the Margins
Mark Peter Wright
2015Auditory Politics, Extended Documentary, Acoustic Ecology, Materialism
Staging Disorder
Cathy Lane, Angus Carlyle, David Toop, Peter Cusack
2015Field Recording, Place, Memory, Speech, Listening, Japan, Installation, Voice
Radio After Radio: Redefining radio art in the light of new media technology through expanded practice
Magz Hall
2015Radio, PhD
Contact Zones and Elsewhere Fields: The Poetics and Politics of Environmental Sound Arts
Mark Peter Wright
2015PhD
Ora
Salomé Voegelin, Collaborators
2016, 2015, 2014, 2013Listening, Performance, Text, Writing, Collaboration, Radio
Slowing Down: dislocate, listen and connect
Ximena Alarcón, Collaborators
2015Field Recording, Place, Memory, Composition, Improvisation, Listening, Participatory, Scores, Silence, Noise, Performance, Collaboration, Urban, India
The Hebrides Suite: mapping the island in sound
Cathy Lane
2015Archives, Place, Memory, Language, Hebrides, Oral History, Installation, Mapping Cartography, Voice, Rural
Sonic Perceptual Ecologies: strategies for sound-based exploration, perception and composition in spaces of transient encounters
Maria Papadomanolaki
2015Listening, Voice, Urban, PhD
Sound Passages: passaggi di suono
Cathy Lane, Angus Carlyle, John Wynne, Ximena Alarcón, Collaborators, Artur M Vidal, John Kannenberg, Louise Marshall, Matt Parker, Iris Garrelfs, Lisa Hall
2015Place, Space, Listening, Mapping Cartography, Architecture, Acoustic, Urban
Hearing Voices
John Wynne
2015, 2008, 2006, 2005Archives, Language, Speech, Software Tools, Interviews, Installation, Voice, Extended Documentary
I Am Not the Cancer
John Wynne, Collaborators
2015, 2014, 2013Memory, Composition, Language, Speech, Interviews, Collaboration, Film, Installation, Voice, Image, Extended Documentary
Mollin+Voegelin
Salomé Voegelin, Collaborators
OngoingPerformance, Collaboration, Installation, Voice
Sound::Gender::Feminism::Activism 2014
Cathy Lane, Angus Carlyle, Holly Ingleton, Collaborators
2014Archives, Feminisms, Her Noise, SGFA
Nothing Short of Complete Liberation: The Burroughsian Ideal of Space as Curatorial Strategy in Audial Art
Mark Jackson
2014Curation, PhD
Associating Places: Strategies for Live, Site Specific, Sound Art Performance
Tansy Spinks
2014Place, Performance, PhD
Sonic Possible Worlds
Salomé Voegelin
2014Listening, Philosophy, Music, Socio-Political, Acoustic Ecology, Materialism
Here are some scores for you to do
Cathy Lane, Holly Ingleton, Collaborators
2014Archives, Feminisms, Composition, Her Noise, Improvisation, Scores, Performance, Collaboration, Music
Flat Time / Sounding
David Toop
2014, 2013, 2012, 2011, 2010Memory, Composition, Improvisation, Scores, Performance, Philosophy, Music
Using Real-Time Data Flux In Art – The Mediation Of A Situation As It Unfolds: RoadMusic – An Experimental Case Study
Peter Sinclair
2013Composition, PhD
Sound Portal
Cathy Lane, Angus Carlyle
2013Place, Memory, Composition, Space, Listening, Architecture, Urban
In The Field: The Art of Field Recording (Publication)
Cathy Lane, Angus Carlyle
2013Field Recording, Interviews, Text, Writing
Listening To Noise And Silence
Salomé Voegelin
2013, 2011, 2010Listening, Writing, Philosophy, Acoustic, Auditory Politics, Acoustic Ecology, Radio
Sounding Underground
Ximena Alarcón
2011, 2009, 2008, 2007Field Recording, Place, Memory, Composition, Space, Participatory, Interviews, Collaboration, Mapping Cartography, Globalisation, Music, Voice, Image, Urban, Mexico, France
Anspayaxw
John Wynne, Collaborators
2013, 2012, 2011, 2010, 2009, 2008Place, Memory, Language, Speech, Oral History, Collaboration, Installation, Voice, Image, Extended Documentary, Radio, Conference Paper
Transplant
John Wynne
2012, 2011, 2010, 2009, 2008Place, Memory, Composition, Space, Listening, Participatory, Interviews, Collaboration, Installation, Voice, Image, Extended Documentary